RESEARCH
VISION [ADIT]
I
explore, juxtapose and integrate new media tools, technology,
art and design with innovative concepts, personal aesthetic, and
a keen awareness of maintaining equilibrium between creativity,
fantasy, technology, efficiency and human interaction.
Digital
media and emerging technologies are influencing the arts and shaping
culture. It's giving form to new artistic languages by revolutionizing
the composition and treatment of an image, the concept of perspective
and the field of perception. VR permits indisputable revolutionary
changes, breaking away from the dilemmas of the matter (medium)
of traditional works of art. The possibilities of experiencing
the intangible continue to increase in an environment where the
intangible takes form and the conception of matter vanishes shifting
the paradigm of imagination and art making to a new innovative
level.
The
fragmentation of traditional art systems has lead to diverse pathways
and new approaches to the act of creation. The dynamic between
space-time-body and the parameters that define the relationship
between the work, the psyche of the author and the people who
experience it, have changed.
While
the revolution of media and communication systems interests me,
I am more attracted to the evolution of media and its influence
in communications and the arts. I aim to mold a new style of thought
and interrelationships, to explore diverse possibilities and different
approaches in the integration of the arts, technology, architecture
and other mediums.
I
give priority to a humanistic approach in my work, placing more
emphasis on ART as a pro-active tool and a behavioral new media
rather than ART as a scholastic-formal-winner-tech subject. For
me, content and innovation are the cohesive components within
the vital elements of the interdisciplinary realities inherent
to art and our society. Art is intended as a space of creativity,
integration, interconection.. as a way of life or a way of changing
life, more than an instrument and a discipline by itself.
