In Lautriv Chromagnon Medusa, both sexes are contained in a unique figure, composed by a synthesis of classical forms: The head of Medusa, the ears (serpents) of Medusa, the chest and hand of Discobolo, the abdomen and legs of Venus di Cenere form Lautriv Chromagnon Medusa. Her skin painting is a prolongation of her inner electronic life.

Interacting with Medusa is an intuitive action. Her green skin is sensible and reactive to the rubbing of human yolks. The visitor approaches her, looks through her eyes, touches her “intelligent skin”, and navigates through different content and ambiences in different modes and media: virtual reality, digital mode, stereoscopic interactive 3D vision (analog), and telepresence (local and remote interactive experience).

Lautriv Chromagnon Medusa allows visitors, to shift from bi-dimensional to three-dimensional into stereoscopic vision, from local to remote, from analogue to digital, and from passive to interactive actions.

Mention Prize in Ars Electronica Linz, Austria, 1997.